Discography


Chamber, Orchestral, Vocal Music
  1. Voce d’orlo (2004-2007, time 60:56), 7 chamber works, Ensemble Algoritmo, conductor Marco Angius, texts by Paolo Petazzi and O. Coluccino. Recorded at VDM Studio in Rome. RAI Trade, Rome-Milan 2009.
  2. Gemina (2002-2008, time 35:45), 8 duets, various performers (Enrico Maria Baroni, Daniela Cima, Umberto Fantini, Mario Marzi, Marino Nicolini, Marco Sala, Giampaolo Pretto, Andrea Repetto, Fabio Sampò Leopoldo Sarcino, Gianluca Turconi, Manuel Zigante), text by O. Coluccino. Recorded at the Baroque Hall, SMC Studio in Ivrea. Due Punte Classica, 2010.
  3. String Quartets (2002-2008, time 55:13), 2 string quartets, piano quartet, duo violin and cello, Quartetto d’Archi del Teatro La Fenice, text by O. Coluccino. Recorded at Teatro La Fenice di Venezia. Neos, Munich 2012.
  4. Stanze (2004-2011, time 61:02), 12 works for piano, Alfonso Alberti, texts by A. Alberti and O. Coluccino. Recorded at Limen Studio in Milan. Col legno, Vienna 2012.
  5. Emblema (2009-2015, time 52:54), 6 chamber works, Ex Novo Ensemble, texts by Ettore Grazia and Osvaldo Coluccino. Recorded at Sala Rossa in Lonigo and at Fazioli Concert Hall in Sacile. Kairos, Vienna 2018.
  6. Interni (2017-2018, time 48:20), 6 works for flute, Roberto Fabbriciani, texts by O.  Coluccino and R. Fabbriciani. Recorded at EMA Vinci Studio in Florence. Kairos, Vienna 2019.
  7. Rispecchiato in quarzo (2020-2023, time 49:23), 3 pieces for solo instruments and electronics, Jan Michiels piano, Carl Rosman contrabass clarinet, Daniel Agi bass flute. Recorded at the Concert Hall of the Royal Conservatory of Brussels and at Elephant Studio in Colonia. Kairos, Vienna 2025.
  8. Diade (2002-2011, time 53:07), 11 duets, various performers. Recorded at the Baroque Hall, SMC Studio in Ivrea and at Studio Barzan in Milan (coming soon, 2025).

Electroacoustic Music
  1. Neuma q (2006, time 42:04), 4 electroacoustic pieces, Die Schachtel, Milan 2010.
  2. Dimensioni (1997-2007, time 64:50), 9 electroacoustic pieces, Die Schachtel, Milan 2015.
  3. Parallelo (2007-2009, time 44:04), 2 electroacoustic pieces, Unfathomless, Bruxelles 2015.
  4. Absum (1999, time 43:29), 6 electroacoustic pieces, Inexhaustible Editions, Ljubljana 2021.

Music for Acoustic Objects
  1. Atto (2011, time 38:38), 5 pieces for acoustic objects, Another Timbre, Sheffield 2012.
  2. Oltreorme (2012, time 53:12), 4 pieces for acoustic objects, Another Timbre, Sheffield 2013.

In collective discs:
  1. Quale velo (2001, time 07:38), for 8 instruments, in various authors, Crossroads, Monesis ensemble, conductor Flavio Emilio Scogna, VDM Records, Rome 2008.
  2. After (2007, duration 6:41), electronic music, in artist book Lo scorrere del tempo di un barattolo di vetro, silkscreens by Wainer Vaccari and DVD with music by O. Coluccino and video by Giulio Fregni, Il Gran Ballo delle Arti editions, Turin 2010. 
  3. Prima stanza (2004, duration 07:04), for piano, in various authors, Notturni, Ilaria Baldaccini, EMA Vinci, Firenze 2021.

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release date descending


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chamber, orchestral, vocal music




Critical contributions about Interni on: 
MusikTexte (Germany), Alias-Il Manifesto with rating top five of 2019 (Italy),
Fyh! with rating 8, great album (Polond), Avant Music News (United States), 
Robinson-La Repubblica with rating 4 stars (Italy),  
Sonograma (Spain), Percorsi Musicali (Italy), 
Clic Musique! (France), Fluit (Nederlands)


Critical contributions about Emblema on: 
Diapason with rating 5 diapasons, Superb. Try it! (France), 
Gramophone (Great Britain), MusikTexte (Germany), 
NMZ (Germany), LitGes (Austria), 
Sequenza21 with rating Best of 2018: composer portrait CDs (United States), 
El Correo de Andalucia (Spain), Nieuwe Noten (Netherlands), 
Alias-Il Manifesto (Italy), Robinson-La Repubblica (Italy), 
Sonograma (Spain), Clic Musique! (France), 
Classic Voice with rating 4 stars (Italy), Percorsi Musicali (Italy),
Sands-zine with rating refined and elegant (Italy),
Naxos of America with rating among the 6 featured releases,
MusicWeb International (Great Britain) 
 

Critical contributions about String Quartes on: 
MusicWeb International (Great Britain), MusikTexte (Germany), 
American Record Guide (United States), Records International (United States),
Classic Voice with rating 5 stars (Italy), La Repubblica (Italy), 
Sands-zine with rating Poetry… without words (Italy)
Forgotten memories (Spain), Rate Your Music (United States), Skug (Austria), 
String Quartets – A Most Intimate Medium (Australia)
in the book Monate II by Reinhard Ermen (Germany)


Critical contributions about Stanze on: 
Harmonia Mundi Magazin (Germany), ÖMZ (Austria), 
MusikTexte (Germany), Skug (Austria), LitGes (Austria), 
Amadeus with rating 5 stars (Italy), Classic Voice with rating 5 stars (Italy), 
Sands-zine with rating Poetry… without words (Italy)


Critical contributions about Gemina on:
MusicWeb International (Great Britain), MusikTexte (Germany),
Sands-zine (Italy)



Critical contribution about Voce d’orlo: 
Introductory text by Paolo Petazzi (Italy)






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electroacoustic music


Critical contributions about Absum on: 
Touching Extremes (Italy), Percorsi Musicali (Italy), Sands-zine (Italy),
Musique Machine (Great Britain), The Free Jazz Collective (United States)


Critical contributions about Parallelo on: 
Le Son du Grisli (France), Dusted Magazine (United States), 
Touching Extremes (Italy), Sands-zine (Italy),
Anti Optimized Haunted Processor (Japan),
Vital Weekly (Nederlands)

Critical contributions about Dimensioni on: 
Ondarock (Italy), Suonare News (Italy), Boomkat (Great Britain),
Touching Extremes (Italy), Omega Point (Japan), 
Sands-zine (Italy), in the book Solchi Sperimentali (Italy) 


Critical contributions about Neuma q on: 
Boomkat (Great Britain), Blow Up (Italy), Down Town (United States),
Monsieur Délire (Canada), Dusted Review (United States), 
Metamkine (France), Vital Weekly (Nederlands),
DownBeat (United States), Progress Report (Great Britain), 
Sands-zine (Italy), Signal to Noise (United States)





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music for acoustic objects

Critical contributions about Oltreorme on: 
All About Jazz (Great Britain), Just Outside (United States), 
Improv-sphere (France), Touching Extremes (Italy), Sands-zine (Italy), 
Improv.hu (Hungary), The Wire (Great Britain), 
Le Son du Grisli (France), All About Jazz (Italy)


Critical contributions about Atto on
The Wire (Great Britain), The Watchful Ear (Great Britain), 
All About Jazz (Great Britain), Le Son du Grisli (France), Improv-sphere (France), 
Paris Transatlantic (France), Touching Extremes (Italy), 
Free Jazz (Belgium), Metamkine (France), Removing the ear frame (Japan), 
Improv.hu (Hungary), Sands-zine (Italy), 
MusicWeb Intarnational (Great Britain), All About Jazz (Italy)




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various composers









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photos


chamber, orchestral, vocal















electroacoustic













acoustic objects







osvaldo.coluccino@gmail.com